Several creative and cultural publications, including Curatorialist, IQads, and Scena9, have covered DOOM MOOD, an exhibition that delves into the profound and inevitable alienation of individuals from their daily lives and surroundings. Curators Angelica Maria and Matilda Ardeleanu propose, through this project, a reflection on social presence and collective participation in an imminent collapse—whether through the slow accumulation of disasters or the imperceptible erosion of reality.
The published articles examine both the curatorial vision and the exhibition’s impact on the audience, highlighting how the works of artists Giulia Mangione and Toma Hurduc serve as a means of investigating contemporary fragility. DOOM MOOD is not just an exhibition but an artistic inquiry into capitalist society, its mechanisms of control, and the subtle ways in which reality unravels before us.
